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The Essential James Taylor features the biggest hits and best-loved songs from one of the most famous names in Pop/Rock. Includes 'Fire And Rain', 'You've Got a Friend', 'Mexico', 'Handy Man', 'Shower the People' and many others. To view this video download. The Essential James Taylor. Stream Greatest Hits by James Taylor and tens of millions of other songs on all your. With James Taylor, Warren Oates, Laurie Bird, Dennis Wilson. 2 men drag-racing across the U.S., in a '55 Chevy. Dennis Wilson's the mechanic, James Taylor's.

Check out The Essential James Taylor (Deluxe Edition) by James Taylor on Amazon Music. Stream ad-free or purchase CD's and MP3s now on Amazon.co.uk.

There was something clearly different, and special, when Queen's debut album emerged in 1973.

At its heart, the group was another four-piece hard rock band from England, brimming with muscle and energy. But those operatic harmonies, bolstered by Roy Thomas Baker's lustrous production, and a unique sense of dynamics set Queen apart from the get-go, and things only grew from there.

Over the course of 14 albums (before frontman Freddie Mercury's death in 1991), Queen became the champion and the visible definition of pomp rock in all its glory and delight. The group never stopped rocking hard, but its ambitions up to and even past the zenith of 'Bohemian Rhapsody' were beautifully crafted and unapologetically bombastic. Even Queen's quiet sounded big, and its big was designed to shake the Earth -- and continues to thanks to the enduring stomp of 'We Will Rock You.'

Forty-five years on, Queen's kind of magic endures via a variety of forms -- reissues, stage musicals, movies and TV shows and at just about every sports event in the world, not to mention Brian May and Roger Taylor's touring situation with Adam Lambert. May once asked, in song, 'Who wants to live forever?' and his group has created music that most certainly will.

It's not an easy task, but here are our picks for the 20 best Queen songs.

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25. Queen - 'Tenement Funster'

This Roger Taylor-sung glam reminiscence about restless youth kicked off a Sheer Heart Attack suite that also included 'Flick of the Wrist' and 'Lily of the Valley.'

24. Queen - 'In the Lap of the Gods'

Even by this early stage of Queen's career, we knew the group could get a little over the top. The stacked, falsetto-flaunting vocals and ebb-and-flow construction is an important precursor to 'Bohemian Rhapsody' on the very next album.

23. Queen - 'Hammer to Fall'

The fourth single from The Works felt like a reward, and a good one, for fans craving something harder-rocking than its pompier predecessors.

22. Queen - 'Don't Stop Me Now'

A primarily trio song until May's guitar solo, this Jazz track is a light-hearted romp that nevertheless came off as a statement of intent at an unstoppable phase of Queen's career.

21. Queen - '39'

Brian May's true definitive moments with Queen came via his guitar, but this A Night at the Opera folk song about space travelers (pre-astrophysics Ph.D.) is a gentle treat whose choruses still convey the harmonic majesty that is Queen's vocal trademark.

20. Queen -'Need Your Loving Tonight'

A riffy, garage-tinged tune from bassist John Deacon that shows Queen could elevate even the most basic rock song into a something many bands would be happy to include on their greatest hits.

19. Queen - 'Seven Seas of Rhye'

Short but pleasingly bombastic, 'Seven Seas' straddles Queen's first two albums, appearing as an instrumental on its debut before surfacing again as a vocal piece for Queen II. Either is a most excellent adventure.

18. Queen - 'Somebody to Love'

The harmonies are stacked with 'Bohemian Rhapsody' richness on this follow-up hit, but with a more pronounced gospel flavor and soulful, swinging backbeat.

17. Queen - 'Keep Yourself Alive'

The first thing we heard from Queen during the summer of 1973 remains one of the best, a blast of galloping guitars, operatic harmonies and taut dynamics, even including a brief drum solo, that's still a surefire fist-pumper 45 years later.

16. Queen - 'Brighton Rock'

Sheer Heart Attack's opening track goes from carnival calliope to a festival of propulsive hard rock ecstasy, with a verse that could have been on Tommy and a chorus that can only come from Queen -- and, of course, a blazing solo from May that ranks high in the overall rock canon, not just Queen's.

15. Queen - 'Who Wants to Live Forever'

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A track that took on haunting meaning after Mercury died five years later, at the time it was a lush pop hymn, featured in The Highlander, that broached provocative question and offered a nice transition between May's restrained opening verse and Mercury's soaring performance that followed.

14. Queen - 'I Want It All'

A muscular bit of social commentary propelled by Roger Taylor's rare use of double kick-bass drums and featuring a chorus that, while intended as sarcasm, was a bit of a manifesto of Queen's own mission du rock.

13. Queen - 'Now I'm Here'

There's an arty glam edge to this heavy rocker from Sheer Heart Attack, once again displaying Queen's accomplished dynamic sensibility. Nice shout-out to onetime tourmate Mott the Hopple too.

12. Queen - 'Radio Ga Ga'

If some stalwart fans found this a bit silly when it was first released (which didn't keep it from becoming a worldwide hit), Live Aid a year and a half later insured that everybody understood.

11. Queen - 'Another One Bites the Dust'

Queen's funky turn on The Game came as something of a surprise, but everyone got onboard when they figured out how much fun it was. Sylvester Stallone sure thought so, even if he couldn't get it for 'Rocky III.' (And raise your hand if you bought into the backward masking.)

10. Queen - 'Stone Cold Crazy'

Punk and thrash metal were in their nascent stages when Queen unleashed this beast on Sheer Heart Attack. Props to Metallica for acknowledging who helped show them how it was done.

9. Queen - 'You're My Best Friend'

If you make it through the 2:52 mark of this 1976 single without feeling uplifted and a little bit giddy, you seriously have no heart.

8. Queen - 'Crazy Little Thing Called Love'

A gem from the kitchen sink that was The Game, letting Queen get its rockabilly on from Mercury's Elvis-isms to May's hot James Burton licks.

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7. Queens - 'We Are the Champions'

In some ways the definitive Queen song, from its balladic verses to its anthemic chorus, 'Champions' has an eternal lock on sports stadium playlists and enjoys the (wholly believable) distinction as the catchiest song in the history of popular music according to a 2011 scientific study in the U.K.

6. Queen - 'Tie Your Mother Down'

Some prefer their Queen pompy. Others favor the face-melting, hard-rockin' side. The opening track from A Day at the Races supports the latter.

5. Queen - 'Killer Queen'

The group's first big U.S. hit offered a concise take of its unique virtues, from melodic irresistibility to soaring harmonics and May's lyrical guitar style.

4. Queen - 'Fat Bottomed Girls'

Queen's celebration of the prominent posterior came with a wink from the opening chorus and kept through Mercury's command to 'get on your bikes and ride!' A gleeful anthem about the most unlikely of subjects.

3. Queen - 'We Will Rock You'

Short (2:02), sweet, to the point and the most famous one-two-THREE! beat in rock, and probably pop music, history. A top five sports staple along with 'We Are the Champions' and a catalyst for one of the best opening segments in Cheers' storied TV history.

2. Queen feat. David Bowie - 'Under Pressure'

Lots of high-profile rock collaborations fall on their face, but Queen with David Bowie was undeniable. Just ask Vanilla Ice..

Free James Taylor Download

1. Queen - 'Bohemian Rhapsody'

All hail the, er, king and forever champion, a concept album wrapped up into one six-minute Queen song and the original Carpool Karaoke classic thanks to Wayne's World. Its reign will most certainly endure.

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About James Taylor

When people use the term 'singer/songwriter' (often modified by the word 'sensitive') in praise or in criticism, they're thinking of James Taylor. In the early '70s, when he appeared with his introspective songs, acoustic guitar, and calm, understated singing style, he mirrored a generation's emotional exhaustion after tumultuous times. Just as Bing Crosby's reassuring voice brought the country out of the Depression and through World War II, Taylor's eased the transition from '60s activism and its attendant frustrations into the less political, more inward-looking '70s. He was rewarded with a series of hit albums and singles (surprisingly, many of the latter were covers of old songs rather than his own compositions), and he managed to survive his initial fame to achieve lasting popularity. He continued to tour successfully for decades, and, starting with his 1970 breakthrough Sweet Baby James, all but one of his regular album releases for the rest of the century went gold or platinum, while his 1976 Greatest Hits album achieved a diamond certification reflecting sales of more than ten million copies.
Taylor was the son of Dr. Isaac and Gertrude Taylor. His three brothers Alex (1947-1993), Livingston, and Hugh -- and his sister Kate -- all became musicians and recorded albums of their own. In 1951, Dr. Taylor was appointed dean of the medical school at the University of North Carolina at Chapel Hill, and the family moved from New England to the South. Taylor studied cello as a child, but first took up the guitar in 1960. In 1963, he began attending Milton Academy, a prep school in Massachusetts. That summer, he met fellow guitarist Danny 'Kootch' Kortchmar while staying on Martha's Vineyard, and the two formed a folk duo. Taylor dropped out of school at 16 and formed a band with his brother Alex. Having moved to New York, he suffered from depression and checked himself into McLean Psychiatric Hospital in Massachusetts, a stay that would inspire some of his early songs. While there, he earned a high-school diploma. Upon release, he returned to New York in 1966 and formed a new group, the Flying Machine, with Kortchmar and Joel O'Brien. The band played in Greenwich Village and was signed to a fledgling record label, Rainy Day Records (the name taken from Taylor's song 'Rainy Day Man'). It released one single, 'Brighten Your Night with My Day'/'Night Owl,' both songs written by Taylor. The record was unsuccessful, and the band broke up in the spring of 1967.
By 1968, Taylor had become addicted to heroin. In an attempt to overcome his addiction, he moved to London, where he submitted a demo tape to Peter Asher, former member of Peter & Gordon, then working for the Beatles' Apple Records label. As a result, Taylor was signed to Apple and recorded his debut solo album, James Taylor, released in the U.K. in December 1968 and in the U.S. in February 1969. Initially, it received little attention. A more pressing concern, however, was that Taylor had not been able to kick heroin. As a result, he returned to the U.S. and checked into the Austin Riggs Hospital in Massachusetts. By July 1969, he had recovered sufficiently to make his solo debut at the Troubadour nightclub in Los Angeles, but soon after he was in a motorcycle accident and broke both of his hands, which put him out of commission for several months.
Freed of his Apple Records contract, Taylor signed to Warner Bros., moved to California, and, retaining Asher as his manager and producer, recorded his second album, Sweet Baby James. It was released in February 1970 and became a major success during the course of the year, spurred by the single 'Fire and Rain,' a song that reflected on his experiences in mental institutions, which peaked in the Top Five in October, the same month that Sweet Baby James achieved the same status on the LP charts. With that, interest in Taylor's first album was re-stimulated, and it belatedly reached the charts along with the single 'Carolina on My Mind,' as did James Taylor & the Original Flying Machine: 1967, a short collection of unfinished recordings made by his '60s band. Sweet Baby James then spawned a second hit single, 'Country Road,' which peaked in the Top 40 in March 1971. The same month, Taylor appeared on the cover of Time magazine, touted as the founder and leading proponent of the 'singer/songwriter' trend in popular music.
Meanwhile, Taylor acted in a feature film, Two-Lane Blacktop, co-starring with the Beach Boys' Dennis Wilson. It was not successful, and Taylor didn't pursue an acting career, though the movie has been well-reviewed since then. Taylor also worked on a new album, returning to record stores in April 1971 with Mud Slide Slim & the Blue Horizon. As he toured the U.S., the LP spent the summer in the Top Ten, eventually peaking just below the top of the charts, paced by its first single, 'You've Got a Friend,' written by Carole King, which hit number one in July and went gold. A second single, 'Long Ago and Far Away,' reached the Top 40, and the album eventually sold more than two million copies. On March 14, 1972, Taylor won the 1971 Grammy for Best Pop Vocal Performance, Male, for 'You've Got a Friend.'
Taylor took what was then considered a long time -- more than a year and a half -- to come up with his next album, One Man Dog, released in November 1972. On November 3, 1972, during an appearance at Radio City Music Hall in New York, he announced to the crowd that he had married singer/songwriter Carly Simon earlier in the day. Simon was already well-known for the hits 'That's the Way I've Always Heard It Should Be' and 'Anticipation,' and would soon top the charts with 'You're So Vain.' One Man Dog marked a fall-off in Taylor's record sales, though it went gold, reached the Top Five, and spawned a Top 20 single in 'Don't Let Me Be Lonely Tonight.'
Taylor was next heard from in January 1974, when he sang a duet with his wife, 'Mockingbird,' a cover of the 1963 hit by Inez & Charlie Foxx, on her Hotcakes album. Released as a single, the recording reached the Top Five and went gold. That spring, Taylor launched a major tour in anticipation of his next album, Walking Man, released in June. Though it reached the Top 20, the album was a commercial disappointment, failing to go gold or produce a chart single. But Taylor bounced back the following year with the May release of Gorilla. Again, he succeeded by reviving an old hit, this time Marvin Gaye's 1964 song 'How Sweet It Is (To Be Loved by You),' which reached the Top Five, helping the album become a Top Ten, gold-selling hit.
In the Pocket, Taylor's seventh album, was his third annual warm-weather release, appearing in June 1976. Its single was the singer's own 'Shower the People,' which reached the Top 40, while the album made the Top 20 and went gold. Nearing the end of his Warner Bros. contract, Taylor re-recorded a couple of his Apple songs for his Greatest Hits LP, released in November. It became a perennial seller. With that, in a major coup, he was signed by Columbia. His debut for the label, JT, was released in June 1977. Once again, a revival spurred its sales, as Taylor covered Jimmy James' 1959 song 'Handy Man' and took it into the Top Five, followed by a Top 20 showing for his own 'Your Smiling Face.' With such stimulation, JT reached the Top Five and sold over two million copies. On February 23, 1978, Taylor picked up a second Grammy for Best Pop Vocal Performance, Male, for 'Handy Man.'
Along with Paul Simon, Taylor was a featured singer on Art Garfunkel's cover of '(What A) Wonderful World,' previously a hit for Sam Cooke and Herman's Hermits, which peaked in the Top 20 in March 1978. Taylor next became involved with the Broadway musical Working, based on Studs Terkel's bestseller, writing three songs for it. The show ran a scant 25 performances after opening on May 14, 1978, but Taylor reclaimed 'Millworker' and 'Brother Trucker' for his next album. Meanwhile, his duet with Carly Simon on a revival of the Everly Brothers' 'Devoted to You' peaked in the Top 40 in September.
Flag, marking a nearly two-year break between albums, appeared in April 1979, its Top 40 hit single being a revival of the 1963 Drifters hit 'Up on the Roof.' Despite the lack of a really big hit single, the LP reached the Top Ten and went platinum. That September, Taylor performed at Madison Square Garden in the No Nukes concerts, later being featured in the No Nukes triple LP and in the No Nukes concert film.
Taylor embarked on a national tour in the summer of 1980, despite not having a current album to promote. From here on, recurrent touring became a regular part of his career and contributed to his longevity as an artist. That fall, he appeared on the children's album In Harmony 2, singing 'Jelly Man Kelly.' The album won the 1981 Grammy for Best Recording for Children. He toured extensively during 1981, releasing Dad Loves His Work in February. The album reached the Top Ten and went gold, spurred by the Top Ten success of the single 'Her Town Too,' written by Taylor, J.D. Souther, and Waddy Wachtel, Taylor's most successful original composition since 'Fire and Rain.'
Taylor continued to tour frequently in the early '80s, a period when his marriage to Carly Simon came to an end (they were divorced in 1983). Often, his performances took place overseas. In January 1985, he performed at the Rock in Rio concert in Brazil, a show that resulted in the Brazil-only release Live in Rio. His next studio album, following a gap of more than four years, was That's Why I'm Here, released in October 1985. As usual, his record label issued a cover song as the single; in this case it was Buddy Holly's 'Everyday,' which didn't get very far up the charts. Nevertheless, Taylor's long career and constant touring had brought him a permanent audience ready to buy his records, and the album eventually went platinum. On December 14, 1985, he married for the second time, to Kathryn Walker; a month later, he was on tour in Australia.
Road work continued to be Taylor's primary occupation in the mid-'80s, but he came off tour long enough to finish another album, Never Die Young, only a little more than two years after That's Why I'm Here, released in January 1988. The title song, issued as a single, barely reached the charts, but Never Die Young was another million-seller. The late '80s and early '90s saw more extensive worldwide touring. New Moon Shine, Taylor's 13th regular album release, came in October 1991, the same month that he sold out six consecutive shows at the Paramount Theater in New York; the disc stayed in the charts nearly a year and sold a million copies.
Despite his consistent draw as a concert attraction, Taylor had never released a live album in the U.S. until the August 1993 appearance of Live, a two-CD set that went platinum within months. Columbia, which had never had a Taylor compilation to promote, trimmed the album down to a single disc of hits for the 1994 release (Best Live). Taylor was divorced from his second wife in 1996. His next album, Hourglass, released in May 1997, demonstrated his continuing appeal by entering the charts in the Top Ten. On February 25, 1998, it won the 1997 Grammy for Best Pop Album. In October the same year, Columbia issued the DVD Live at the Beacon Theatre while Billboard magazine was honoring Taylor with their highest accolade, the Century Award.
By 2000, Taylor's first Greatest Hits collection had sold over ten million copies, earning him the RIAA's Diamond Award. Taylor was also inducted into both the Rock & Roll Hall of Fame and the Songwriter's Hall of Fame in 2000, and at the end of the year, Columbia issued Greatest Hits, Vol. 2, covering the years 1977-1997. Fans who had waited five years for new material were awarded with October Road in 2002, an album that earned two Grammy nominations and eventually went platinum. A year later, The Best of James Taylor became the first compilation to cover material from his years with Apple, Warner Bros., and Columbia. In 2004, he appeared on the television show The West Wing, released Christmas Album, and sang the national anthem before game two of the World Series. Two years later, Taylor released James Taylor at Christmas and made an appearance on the soundtrack for the Pixar film Cars. In 2007, the CD/DVD One Man Band was released on the Hear Music label. An album featuring a dozen cover versions of various songs, simply and appropriately called Covers, followed a year later in 2008, also from Hear Music. A sequel, Other Covers, appeared in 2009.
Following a highly successful dual tour with Carole King, Taylor and King released a concert CD/DVD set called Live at the Troubadour in 2010. Never one to shy away from his political views, Taylor was active during Barack Obama's 2012 re-election campaign, performing at both the Democratic National Convention and then in January 2013 at the president's second inauguration. In April of 2015, Taylor debuted the single 'Today, Today, Today' in advance of a new album called Before This World. Featuring guest spots from Sting and Yo-Yo Ma, Before This World was Taylor's first album of new material since 2002's October Road and there was a pent-up demand for the record: upon its June 16 release, it entered the Billboard 200 at number one, becoming his first-ever chart-topping LP. ~ William Ruhlmann

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